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Julie Schenkelberg grew up in the post-industrial landscape of Cleveland, Ohio. Her mixed-media installations start with furniture, dishware, textiles, and marble, combined with concrete, resin, and construction materials, to transform notions of domesticity, and engage with the American Rust Belt's legacy of abandonment and decay. Using the home as a playground for formal and conceptual subversions, the work aggressively disrupts cohesion within the physical sphere. Familiar furnishings rekindle memories or premonitions of collapse, suggesting both the utter destruction of war, calamities, or urban decay, but also the uncanny juxtapositions of fragile substances such as cloth and china, with industrial materials such as rusty metal, heavy concrete, and tool-made marks such as drilled holes and chain-sawed indentations.

Julie Schenkelberg received a BA in Art History at the College of Wooster, OH, and MFA at the School of Visual Arts, NY, with additional studies at SAIC at Oxbow, MI, Pont Aven School of Contemporary Art, France, and the Institute of European Studies, Vienna. Her large-scale installations have been displayed in solo exhibitions at The Detroit-Volterra Foundation, Italy, The Sculpture Center, Cleveland, OH, the Mattress Factory Museum of Contemporary Art, Pittsburgh, PA, the University of Akron Meyers School of Art, Akron, OH, Beeler Gallery, OH, Plug Projects, MO, and UNTITLED Miami Beach, FL. Schenkelberg was a 2019 finalist for the Foundwork Artist Prize, and the Burke Prize of the Museum of Art and Design in New York, and the Knight Arts Challenge Grant in Detroit, MI. She won the 2014 ArtPrize Installation Juried Award for her installation "Symptomatic Constant", and has received four National Endowment for the Arts Grants, the Efroymson Contemporary Arts Fellowship, and a Harpo Foundation Grant. She has been awarded residencies at Yaddo, Saratoga Springs, NY, Volterra-Detroit Foundation Residency, Italy, The Bemis Center for Contemporary Arts, Omaha, NE, Art Omi, Ghent, NY, Projekstom Normanns, Norway, the Red Bull House of Art, Detroit, MI, and SiTE:LAB, Grand Rapids, MI. Press includes Artforum, The New Yorker, PBS, Bloomberg, Hyperallergic, The Brooklyn Rail, Art F City, The Huffington Post, Beautiful Decay and Ground Magazine. She lives and works in Detroit.

Sculpture by Julie Schenkelberg

Ancient Homage, 2020

Vintage fabric, screen material, plaster, metal bars from Detroit abandoned car manufacturing floors, copper wire, vintage jewelry box

23h x 35w x 3d in
58.42h x 88.90w x 7.62d cm

JS098

Sculpture by Julie Schenkelberg

Blue Ocean, 2020

Blue dye, resin, rusted metal from Detroit factory floors, plaster chips, vintage china, glass from Brooklyn beaches

34h x 30w x 4d in
86.36h x 76.20w x 10.16d cm

JS100

Sculpture by Julie Schenkelberg

Curio, 2020

Old typeset printer’s drawer, plaster, acrylic paint and medium, vintage fabric, found Detroit rusted factory metal and scrap copper wire, soil and pine needles

26h x 20w x 2d in
66.04h x 50.80w x 5.08d cm

JS101

Sculpture by Julie Schenkelberg

Sun Pair One, 2020
Wax covered vintage fabric, resin, acrylic gold paint and ink on plaster, metal from Detroit factory floors, plaster, jewelry box, vintage pin, found glass from Lake Erie, sand from Brooklyn, clock pendulum
23h x 12w x 1d in
58.42h x 30.48w x 2.54d cm

Sculpture by Julie Schenkelberg

Splendor, 2020

Vintage broken china from Brooklyn beaches, found glass from Great Lakes, Cleveland and Detroit auto and steel factory abandoned floors, found screen, plaster, acrylic paint, painted wood from Ohio forests, copper found in Detroit, wax covered vintage fabric, Carrara marble, resin, found tureen top

28h x 23w x 4d in
71.12h x 58.42w x 10.16d cm

JS105

Sculpture by Julie Schenkelberg

Beacon, 2020
Relief mold of vintage pressed glass, Carrara marble window sill salvage, salvaged metal grating, found vintage nails, resin, plaster
19.50h x 14.50w x 2d in
49.53h x 36.83w x 5.08d cm

Sculpture by Julie Schenkelberg

Full Mary 4, 2018
Gypsum and concrete blend, blue pigment, copper wire
12h x 3.50w x 1.75d in
 

Sculpture by Julie Schenkelberg

Full Mary 6, 2018
Gypsum and concrete blend, blue pigment, copper wire
12h x 4w x 1.75d in
 

Wall sculpture by Julie Schenkelberg

 

Homage to Finding, 2017

Burnt wood from Detroit homes, wax casts, and silver leaf

30" x 51"

Small wall sculpture by Julie Schenkelberg
Summer Long, 2017
Hydrocal cast vintage cutlery and dish with gold leaf and indigo ink dye
8.50" x 11"
Small Wall sculpture by Julie Schenkelberg
Berlin, 2017
Hydrocal cast vintage cutlery with gold leaf and indigo ink dye
10" x 8"
Wall sculpture by Julie Schenkelberg

Blue Lady, 2015

Tinted plaster, gold paint, found flower print in frame, porcelain knobs from vintage electrical wiring, steel wool, metal rusted roofing, knives, steel wire, resin, blue cast plaster maiden head, drilled holes and router scraping

20" x 18" x 2"